Jeffrey Goodman blogs about the films and albums that inspire him. And his experiences with his first feature-length film, starring Tom Sizemore and Sasha Alexander.
Saturday, April 22, 2017
4/22/17 I watched James Gray's The Lost City of Z. The film of Gray that has impressed the most so far is also the most revealing. Treading in this territory is dangerous stuff. How do you not immediately beg comparison to Apocalypse Now and Aguirre? You don't. What Gray does though is blend the epic and the chamber and in that way it feels different. Herzog and Coppola's film were both always operating on a large canvas and their egos and talents had no problem sustaining an epic scope for their duration. Gray's film fits what is seemingly his personality, something that is more cerebral and more measured than Herzog and Coppola. What is most striking is that I have long known that Gray reveres the work of Coppola but never have I noticed their differences more than now. Not only is Gray far more humble but he also struggles to reach the emotional shape of Coppola's best work. I felt watching The Lost City that everything was of one piece - Ravel's music could not have been more perfect, sophisticated, difficult themes were borne out, Khondji's work seemed right (even if I have never been a huge fan of his) but Gray has trouble reaching the emotional heights of Coppola. Lost City is an unusually ambitious and well executed American film in this current environment but without the emotional resonance of the films he most admires, it is difficult to call it great.