Not a very memorable Ozu effort, this short film, if nothing else, continues his formal progression in a forward manner. There are almost no movements of the camera and an abundance of tatami shots. There is none of the playfulness of his previous work and the only real allusion to Western culture is when Ryoichi and Harue go to the movies to see If I Had a Million.
In its study of social mores, it feels closer emotionally to a Mizoguchi film. A curious, almost perplexing work, but regardless, I am excited to see where Ozu goes from here.
500 Greatest Albums of the 1980s ... Ranked! # 394 Felt - The Splendor of
Fear
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Felt are a band that had to await decades before they received their due.
Albums like 1984's *Splendor of Fear *seem lke brilliantly realised,
crystal...
4 hours ago
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