Ad Astra impressed me more than any American film since The Tree of Life. It is everything I ever hoped James Gray would make one day, and more.
22 hours ago
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Jeffrey Goodman blogs about the films and albums that inspire him. And his experiences with his first feature-length film, starring Tom Sizemore and Sasha Alexander.
Favorite Films Each Year
- 1926: Nana (Jean Renoir)
- 1927: Sunrise (FW Murnau)
- 1928: The Passion of Joan of Arc (Carl Theodor Dreyer)
- 1930: The Blue Angel (Josef von Sternberg)
- 1931: La chienne (Jean Renoir)
- 1932: La Nuit du Carrefour (Jean Renoir)
- 1933: Das Testament des Dr. Mabuse (Fritz Lang)
- 1934: L'atalante (Jean Vigo)
- 1935: The 39 Steps (Alfred Hitchcock)
- 1936: Les bas-fonds (Jean Renoir)
- 1937: You Only Live Once (Fritz Lang)
- 1938: Holiday (George Cukor)
- 1939: La regle du jeu (Jean Renoir)
- 1940: The Shop Around the Corner (Ernst Lubitsch)
- 1941: Sergeant York (Howard Hawks)
- 1942: The Magnificent Ambersons (Orson Welles)
- 1943: Shadow of a Doubt (Alfred Hitchcock)
- 1944: Double Indemnity (Billy Wilder)
- 1945: Les dames du bois de Boulogne (Robert Bresson)
- 1946: The Best Years of Our Lives (William Wyler)
- 1947: Out of the Past (Jacques Tourneur)
- 1948: Letter from an Unknown Woman (Max Ophuls)
- 1949: Jour de fete (Jacques Tati)
- 1950: In a Lonely Place (Nicholas Ray)
- 1951: A Place in the Sun (George Stevens)
- 1952: Casque d'or (Jacques Becker)
- 1953: The Big Heat (Fritz Lang)
- 1954: The Barefoot Contessa (Joseph Mankiewicz)
- 1955: Ordet (Carl Theodor Dreyer)
- 1956: Written on the Wind (Douglas Sirk)
- 1957: Men in War (Anthony Mann)
- 1958: Bonjour Tristesse (Otto Preminger)
- 1959: Pickpocket (Robert Bresson)
- 1960: Shoot the Piano Player (Francois Truffaut)
- 1961: Splendor in the Grass (Elia Kazan)
- 1962: The Man Who Shot Liberty Valance (John Ford)
- 1963: Contempt (Jean-Luc Godard)
- 1964: Gertrud (Carl Theodor Dreyer)
- 1965: Pierrot le fou (Jean-Luc Godard)
- 1966: Au Hasard Balthazar (Robert Bresson)
- 1967: La Collectionneuse (Eric Rohmer)
- 1968: L'enfance nue (Maurice Pialat)
- 1969: The Wild Bunch (Sam Peckinpah)
- 1970: The Conformist (Bernardo Bertolucci)
- 1971: The French Connection (William Friedkin)
- 1972: The Godfather (Francis Ford Coppola)
- 1973: The Mother and the Whore (Jean Eustache)
- 1974: Chinatown (Roman Polanski)
- 1975: Night Moves (Arthur Penn)
- 1976: Kings of the Road (Wim Wenders)
- 1977: Annie Hall (Woody Allen)
- 1978: Straight Time (Ulu Grosbard)
- 1979: Apocalypse Now (Francis Ford Coppola)
- 1980: Melvin and Howard (Jonathan Demme)
- 1981: Blow Out (Brian De Palma)
- 1982: The Thing (John Carpenter)
- 1983: L'argent (Robert Bresson)
- 1984: Boy Meets Girl (Leos Carax)
- 1985: Year of the Dragon (Michael Cimino)
- 1986: Hoosiers (David Anspaugh)
- 1987: Where Is the Friend's House (Abbas Kiarostami)
- 1988: Bird (Clint Eastwood)
- 1989: Do the Right Thing (Spike Lee)
- 1990: Trust (Hal Hartley)
- 1991: My Own Private Idaho (Gus Van Sant)
- 1992: Unforgiven (Clint Eastwood)
- 1993: Carlito's Way (Brian De Palma)
- 1994: Les Roseaux sauvages (Andre Techine)
- 1995: Heat (Michael Mann)
- 1996: Fargo (Joel and Ethan Coen)
- 1997: Hana-bi (Takeshi Kitano)
- 1998: The Thin Red Line (Terrence Malick)
- 1999: The Insider (Michael Mann)
- 2000: Yi Yi (Edward Yang)
- 2001: Mulholland Dr. (David Lynch)
- 2002: Funny Ha Ha (Andrew Bujalski)
- 2003: All the Real Girls (David Gordon Green)
- 2004: Million Dollar Baby (Clint Eastwood)
- 2005: Les amants reguliers (Philippe Garrel)
- 2006: L'enfant (Jean-Pierre and Luc Dardenne)
- 2007: 4 Months, 3 Weeks and 2 Days (Cristian Mungiu)
- 2008: Tulpan (Sergei Dvortsevoy)
- 2009: Police, Adjective (Corneliu Porumboiu)
- 2010: Mysteries of Lisbon (Raul Ruiz)
- 2011: Margaret (Kenneth Lonergan)
- 2012: Tabu (Miguel Gomes)
- 2013: At Berkeley (Frederick Wiseman)
- 2014: Clouds of Sils Maria (Olivier Assayas)
- 2015: Right Now, Wrong Then (Hong Sang-soo)
- 2016: Paterson (Jim Jarmusch)
- 2017: Certain Women (Kelly Reichardt)
- 2018: Summer (Kirill Serebrennikov)
- 2019: Ad Astra (James Gray)
- 2020: Love Affair(s) (Emmanuel Mouret)
- 2021: Wheel of Fortune and Fantasy (Ryusuke Hamaguchi)
- 2022: Both Sides of the Blade (Claire Denis)
- 2023: Close Your Eyes (Victor Erice)
- Favorites Wrap-Up
MOST RECENTLY WATCHED
- Murder, My Sweet (1944)
- Dillinger (1973)
- 8 Million Ways to Die (1986)
- Tex (1982)
- Fallen Leaves (2023)
- Monterey Pop (1968)
- Journey Through the Past (1973)
- Ennio (2021)
- Blue Note Records: Beyond the Notes (2018)
- Moynihan (2018)
On the headphones
- Jazz
On the nightstand
- The Path to Power
In the lab
- Scotch
Album blurbs
About Me
Blog Archive
My Blog List
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Best Ever Albums - 2,000 - 1,001 - 1,401 Weyes Blood - And In The Darkness Hearts Aglow - A record I play that never fails me. Best listened to as the sun goes down.
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Playlist: Sirius XM’s “Dark Wave” — hosted by Matt Sebastian (4/26/26) - This week’s “Dark Wave" featured music by Throwing Muses, Depeche Mode, A Split-Second, Public Image Ltd., Fad Gadget, KMFDM, The Gun Club, Skinny Puppy ...3 days ago
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2025 Theatrical Releases - I kind of have a good excuse for missing so many one-week theatrical releases this year, as I shot a movie in October and have been editing it. But that ...3 months ago
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The Films I Saw in 2024 - First Seen of the Year: Charlie Victor Romeo [Robert Berger, Patrick Daniels, and Karlyn Michelson, 2013] Last Seen of the Year: Last Embrace [Jonathan...1 year ago
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Blu-ray Review: Claude Chabrol’s LA CEREMONIE - That a filmmaking giant like Claude Chabrol remains the most critically neglected member of the Cahiers du Cinema faction of the French New Wave in 2023 is...2 years ago
It is absolutely one of my favorite films of the year. I have been praising it mightily! My #1 is the German film NEVER LOOK AWAY which opened in mid-January, but Gray's film is right behind it with The Irishman, Once Upon a Time in Hollywood, The Wild Pear Tree and The Lighthouse close.
ReplyDeleteSam great to hear from you. I still need to see a few of your favorites, including NEVER LOOK AWAY. I am looking forward to them.
ReplyDelete