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Favorite Films Each Year
- 1926: Nana (Jean Renoir)
- 1927: Sunrise (FW Murnau)
- 1928: The Passion of Joan of Arc (Carl Theodor Dreyer)
- 1930: The Blue Angel (Josef von Sternberg)
- 1931: La chienne (Jean Renoir)
- 1932: La Nuit du Carrefour (Jean Renoir)
- 1933: Das Testament des Dr. Mabuse (Fritz Lang)
- 1934: L'atalante (Jean Vigo)
- 1935: The 39 Steps (Alfred Hitchcock)
- 1936: Les bas-fonds (Jean Renoir)
- 1937: You Only Live Once (Fritz Lang)
- 1938: Holiday (George Cukor)
- 1939: La regle du jeu (Jean Renoir)
- 1940: The Shop Around the Corner (Ernst Lubitsch)
- 1941: Sergeant York (Howard Hawks)
- 1942: The Magnificent Ambersons (Orson Welles)
- 1943: Shadow of a Doubt (Alfred Hitchcock)
- 1944: Double Indemnity (Billy Wilder)
- 1945: Les dames du bois de Boulogne (Robert Bresson)
- 1946: The Best Years of Our Lives (William Wyler)
- 1947: Out of the Past (Jacques Tourneur)
- 1948: Letter from an Unknown Woman (Max Ophuls)
- 1949: Jour de fete (Jacques Tati)
- 1950: In a Lonely Place (Nicholas Ray)
- 1951: A Place in the Sun (George Stevens)
- 1952: Casque d'or (Jacques Becker)
- 1953: The Big Heat (Fritz Lang)
- 1954: The Barefoot Contessa (Joseph Mankiewicz)
- 1955: Ordet (Carl Theodor Dreyer)
- 1956: Written on the Wind (Douglas Sirk)
- 1957: Men in War (Anthony Mann)
- 1958: Bonjour Tristesse (Otto Preminger)
- 1959: Pickpocket (Robert Bresson)
- 1960: Shoot the Piano Player (Francois Truffaut)
- 1961: Splendor in the Grass (Elia Kazan)
- 1962: The Man Who Shot Liberty Valance (John Ford)
- 1963: Contempt (Jean-Luc Godard)
- 1964: Gertrud (Carl Theodor Dreyer)
- 1965: Pierrot le fou (Jean-Luc Godard)
- 1966: Au Hasard Balthazar (Robert Bresson)
- 1967: La Collectionneuse (Eric Rohmer)
- 1968: L'enfance nue (Maurice Pialat)
- 1969: The Wild Bunch (Sam Peckinpah)
- 1970: The Conformist (Bernardo Bertolucci)
- 1971: The French Connection (William Friedkin)
- 1972: The Godfather (Francis Ford Coppola)
- 1973: The Mother and the Whore (Jean Eustache)
- 1974: Chinatown (Roman Polanski)
- 1975: Night Moves (Arthur Penn)
- 1976: Kings of the Road (Wim Wenders)
- 1977: Annie Hall (Woody Allen)
- 1978: Straight Time (Ulu Grosbard)
- 1979: Apocalypse Now (Francis Ford Coppola)
- 1980: Melvin and Howard (Jonathan Demme)
- 1981: Blow Out (Brian De Palma)
- 1982: The Thing (John Carpenter)
- 1983: L'argent (Robert Bresson)
- 1984: Boy Meets Girl (Leos Carax)
- 1985: Year of the Dragon (Michael Cimino)
- 1986: Hoosiers (David Anspaugh)
- 1987: Where Is the Friend's House (Abbas Kiarostami)
- 1988: Bird (Clint Eastwood)
- 1989: Do the Right Thing (Spike Lee)
- 1990: Trust (Hal Hartley)
- 1991: My Own Private Idaho (Gus Van Sant)
- 1992: Unforgiven (Clint Eastwood)
- 1993: Carlito's Way (Brian De Palma)
- 1994: Les Roseaux sauvages (Andre Techine)
- 1995: Heat (Michael Mann)
- 1996: Fargo (Joel and Ethan Coen)
- 1997: Hana-bi (Takeshi Kitano)
- 1998: The Thin Red Line (Terrence Malick)
- 1999: The Insider (Michael Mann)
- 2000: Yi Yi (Edward Yang)
- 2001: Mulholland Dr. (David Lynch)
- 2002: Funny Ha Ha (Andrew Bujalski)
- 2003: All the Real Girls (David Gordon Green)
- 2004: Million Dollar Baby (Clint Eastwood)
- 2005: Les amants reguliers (Philippe Garrel)
- 2006: L'enfant (Jean-Pierre and Luc Dardenne)
- 2007: 4 Months, 3 Weeks and 2 Days (Cristian Mungiu)
- 2008: Tulpan (Sergei Dvortsevoy)
- 2009
- 2010
- 2011
- 2012
- 2013
- 2014
- 2015
- 2016
- 2017
- 2018
- Favorites Wrap-Up
MOST RECENTLY WATCHED
- List (2011)
- Support the Girls (2018)
- BlacKkKlansman (2018)
- Tall: The American Skyscraper and Louis Sullivan (2012)
- Three Identical Strangers (2018)
- Zama (2018)
- First Reformed (2018)
- Mrs. Hyde (2018)
- Ayiti Mon Amour (2016)
- David Copperfield (1935)
On the headphones
- Spotify (mostly)
On the nightstand
- Austerlitz
In the lab
- Sanchez De Los Torros
Album blurbs
Followers
About Me
My Blog List
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snapshot: The Lady who Dared (1931) - vt The Devil’s Playground US / 57 minutes / bw / First National, Vitaphone Dir: William Beaudine Scr: Forrest Halsey, Kathryn Scola Story: Kenneth J. Saund...2 hours ago
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Bruce Weber’s Let’s Get Lost - By J.D. Lafrance Why do we find ourselves fascinated by people who seem to have it all: good looks, loads of talent, and that special sort of something tha...15 hours ago
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The Mighty Lemon Drops unearth lost footage of 1988 show at Chicago’s Cabaret Metro - Thirty years after touring the U.S. in support of World Without End, guitarist/songwriter David Newton of The Mighty Lemon Drops received a VHS tape in the...19 hours ago
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Doctor Zhivago (1965) - Director: David Lean By Roderick Heath David Lean had been a respected and heralded director since his debut helping Noel Coward realise his vision on 1943...23 hours ago
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Time's Up for the Male Canon - I have a piece at Film Quarterly, in the online column, Quorum. Here is an excerpt: What will it take to break the stranglehold of male domination in fi...
1 day ago -
Preview: Brooklyn Horror Film Festival 2018 - Leslie Hatton Previews the Brooklyn Horror Film Festival 2018 The post Preview: Brooklyn Horror Film Festival 2018 appeared first on Vague Visages • Wav...1 day ago
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RENDEZVOUS IN CHICAGO Trailer - With less than a month until the World Premiere of my new film RENDEZVOUS IN CHICAGO at the Adirondack Film Festival, I’ve posted our trailer to YouTube (i...2 days ago
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What Country, Friends, Is This? - It’s Croatia. Or … Illyria, in answer to the question in the subject line, Viola’s question at the start of Twelfth Night. I’ve wanted to come here my whol...3 days ago
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Menu Explorer: Crawfish Balls, Biscuits and Gospel - There’s a lot of good eating to be had in Shreveport-Bossier these days, especially, it seems, in the “$10 or less” category. Two of the best food experien...4 days ago
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Born on the Fourth of July - *“When people say if you don’t love America, then get the hell out. Well, I love America, but when it comes to the government, it stops right there.” – R...
4 days ago -
Le Bilan de l'été 2018 - * Je vous livre en retard un bilan court, qui remplace les Tops du Mois pour cet été, en attendant je l'espère un Bilan de la rentrée plus conséquent !*...
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17 FOR POSTERITY: THE MURIEL AWARDS HALL OF FAME, CLASS OF 2018 - In its inaugural year, 2005, I began writing for the Muriel Awards, a year-end voting collective dedicated to summing up the year’s achievements which fe...
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Episode #108 - James Naremore (A Cottage on Dartmoor) - "My cinephilia began with directors, and I still defend that old fashioned way of working." When Peter first began studying criticism, one person seemed t...
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On Hiatus - Twenty Four Frames will be on a short hiatus while I work on a few other projects during the coming weeks including the editing of my new collection of sho...1 week ago
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Dead Souls (Wang Bing, 2018) - “It is impossible for us to recover history today, but we can sense the existence of it. With a historical event, little pieces remain within people's me...2 weeks ago
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The Sacrifice (1986) A Film by Andrei Tarkovsky - "In Andrei Tarkovsky’s *The Sacrifice*, the distance from hope to despair is a short jump—a chasm crossed with the help of something so immediate as a tel...
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"The Crows are Laughin." Visiting Two SCARECROW Filming Locations - Last month I spent my final day, of one of the saddest years of my life, in a city I had grown to despise visiting two shooting locations of one of my ...
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M Musing - 10 years ago I saw Fritz Lang’s M in an intro class on film history. I recall jotting down some notes about Nazism and early sound. Over the intervening de...4 weeks ago
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Homelessness in Dublin - “Homeless Jesus” by sculptor, Timothy Schmalz of Canada at Christchurch Cathedral, Dublin. *Homelessness in Dublin* This is way off my usual posts (whic...
4 weeks ago -
Tokyo Knights - *Extemplary Cuffmail* (All images are iPhone photos taken of frames of the film playing from the Arrow Blu-ray.) === Kōji Matsubara (Kōji Wada) is the ...
5 weeks ago -
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Remembering the Owl Fine Foods - This is a collection of memories about the Owl Fine Foods store written by a hobbyist historian source that would like to remain anonymous. With the potent...3 months ago
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Facsimile Podcast #32: The Act of Seeing Series 1, Episode 10: Je vous salue, Marie (Jean-Luc Godard; 1968) - This week on *The Act of Seeing* . . . Preliminaries: Twitter nonsense/Hal Hartley/Starting the show . . . A discussion of Jean-Luc Godard's *Je vous sal...
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Best of 2017: The 13 Best Films of the Year - by Tony Dayoub As Academy Awards night bears down on us, here is my annual filmic appreciation. For your consideration, my top films of 2017, followed by...
7 months ago -
Jean Harlow, Mary Dees, and SARATOGA - I watched SARATOGA again last night for the first time in years and still found it very depressing. It is so sad to watch Harlow, clearly weak and listless...7 months ago
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Links - So it should be obvious from a cursory look that this site isn't really updated anymore but I am still writing around the internet so here are links to my ...7 months ago
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Anecdote of the Week: 'Spit It Out' - A story told by John Sayles, from a wonderful 1995 conversation between him and historian Eric Foner. Their dialogue opens the book *Past Imperfect: His...
7 months ago -
Modernism, By Other Means: The Films Of Amit Dutta - I am excited to announce that I will be curating a retrospective of Indian filmmaker Amit Dutta at the Bombay Art Society in Mumbai between the 8th and the...9 months ago
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Disques mythiques, part.12 - Après une trop longue absence sur ce blog ainsi que sur la blogosphère en général, retour aux affaires en douceur avec un billet pochettes de disques . J'a...1 year ago
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Déménagement… - … et surtout emménagement à une nouvelle adresse que j’espère pleine de belles promesses, soit un nouveau blog modeste et sans fioriture que j’essayerai d’...1 year ago
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All Good Things… - Friends, There’s no easy way to deliver bad news, so it’s best to cut to the chase: Movie Mezzanine, unfortunately, is closing its doors. Sadly, while ou...1 year ago
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ABSOLUTELY COOL... - *Cette fois, je n'ai pas attendu que Big Brother me fiche à la porte... Parfois, dans l'existence, il ne faut pas hésiter à repartir de zéro pour tenter ...
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THE DEATH OF ANTAGONY & ECSTASY - This will be the last new post on Antagony & Ecstasy, almost eleven and a half years after the first one. It has been a good and steady companion to me, an...1 year ago
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Summer of ’96: On “Gabbeh” and “A Moment of Innocence” - *This essay was originally written for Movie Mezzanine. Few figures in world cinema are as contentious as Mohsen Makhmalbaf. The mere mention of his name c...
2 years ago -
First Time Viewings / 2015 - Twenty five, in vaguely preferential order: *Les Fantomes du Chapelier* (Claude Chabrol, 1982) *Alice, or the Last Escapade* (Claude Chabrol, 1977) *Abigail...2 years ago
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New Home - My writing – about music, not film, at the moment – can currently be found at my new blog: reddy brown objects.3 years ago
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John Frankenheimer: The Train - [image: The_train_poster] Growing up with action films in the ‘80s and ‘90s — memorizing every John Woo slow-mo gun battle, every world-weary Bruce Willis c...
4 years ago
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